Added more to the list above:
Harakiri; Masaki Kobayashi; 1962; 133
A must watch. This is an incredible film about a samurai cunningly exposing the hypocrisy of a powerful house that allowed a destitute samurai to commit harakiri.
L’Argent; Robert Bresson; 1983; 83
Counterfeit notes are passed around a French neighborhood and an innocent man becomes the victim.
Vagabond; Agnès Varda; 1985; 105
With a mixture of styles, Varda forces the audience to come to terms with a woman’s vagrancy. Is her condition forced on her, or is she living according to her idea of freedom?