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Merridale, Catherine. 2006. Ivan’s War. Life and Death in the Red Army, 1939-1945. 1st ed. New York: Metropolitan Books.
There is a huge literature on Soviet side of WWII. But this book is unique in its focus on the Soviet soldiers. Merridale, a British historian, conducted numerous interviews with war veterans and ordinary people who experienced the war first hand and weaved their recollections and thoughts with the broader history of the conflict. It reads like a story from another planet. Riveting and horrific.
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Sounds interesting, Jonathan. Off the top of my head I cannot remember if I have read a novel or book that focuses on the front-line experience.
While cinema has an abundance of war films that are too glossy and entertaining for their subject matter, there are some that do a great job representing the horrors and other-worldliness of the front line. In the case of the Russian front, I can think of two; one I have seen and one is on my to-watch list.
Andrei Tarkovsky’s Ivan’s Childhood is a beautiful, poetic film about a Russian boy who, because of his age and presumed innocence, is able to go back and forth across German lines. He survives on the handouts of Russian soldiers who use him to relay intelligence.
Come and See, which I have yet to watch, has been getting a lot of attention since its restoration. It is the type of film that definitely critiques the argument that, by virtue of showing acts of war, all war films are anti-war films. This argument might come across as naive, but this is how Steven Speilberg argued that Saving Private Ryan was anti-war.
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Some memorable war novels, many of them autobiographical, are listed below. They are all worth reading.
1. Babchenko, Arkadiæi. 2008. One Soldier’s War in Chechnya. Translated from the Russian by Nick Allen. London: Portobello.
2. Ballard, J. G. 1984. Empire of the Sun. A Novel. New York: Simon and Schuster.
3. Browning, Christopher R. 1998. Ordinary Men. Reserve Police Battalion 101 and the Final Solution in Poland. Reissued with a New Afterward by the Author. 1st HarperPerennial ed. New York: HarperPerennial. [Not a novel, but a masterpiece nonetheless.]
4. Céline, Louis-Ferdinand. 1932. [1983]. Journey to the End of the Night. Translated by R. Manheim. np: New Directions. [The first part of the book on WWI is unmatched.]
5. Cendrars, Blaise. 1918. [1984]. The Severed Hand. New York: Stein & Day Pub.
6. Clavell, James. 1962. King Rat. 1st ed. Boston: Little Brown.
7. Coonts, Stephen. 1986. Flight of the Intruder. Annapolis, Md.: Naval Institute Press.
8. Deighton, Len. 1982. Goodbye, Mickey Mouse. 1st ed. New York: Knopf: Distributed by Random House.
9. Duffy, Peter. 2003. The Bielski Brothers. The True Story of Three Men Who Defied the Nazis, Saved 1,200 Jews, and Built a Village in the Forest. 1st ed. New York: HarperCollins.
10. Fisher, David. 1983. The War Magician. New York: Coward-McCann.
11. Gary, Romain. 1960. A European Education. New York: Simon and Schuster.
12. Graves, Robert. 1929. Good-bye to All That. An Autobiography. London: Cape.
13. Hameiri, Avigdor. 1952. The Great Madness. New York: Vantage Press 1952.
14. Hasek, Jaroslav. 1937. The Good Soldier: Schweik. Translated by P. Selver. Garden City New York: The Sun Dial Press, Inc., Publishers.
15. Levi, Primo. 1960. If this is a Man. Translated from the Italian by Stuart Woolf. 2nd ed. London: Orion Press.
16. Malraux, André. 1934. Man’s Fate: La Condition Humaine. New York: Modern Library.
17. Marlantes, Karl. 2010. Matterhorn. A Novel of the Vietnam War. 1st ed. New York: Atlantic Monthly Press: Distributed by Publishers Group West.
18. MacLean, Alistair. 1955. H.M.S. Ulysses. London: Collins.
19. Monsarrat, Nicholas. 1951. The Cruel Sea. 1st ed. New York: Knopf.
20. Orwell, George. 1938. [1966]. Homage to Catalonia. (And Looking Back on the Spanish War). Harmondsworth, Middlessex, England: Penguin Books in association with Martin Segker & Warburg.
21. Remarque, Erich Maria. 1929. [1982]. All Quiet on the Western Front. New York: Ballantine Books.
22. Remarque, Erich Maria. 1954. A Time to Love and a Time to Die. Translated from the German by Denver Lindley. New York: Harcourt Brace.
23. Wouk, Herman. 1951. [2003]. The Caine Mutiny. A Novel of World War II. 1st ed. Boston, MA: Little Brown and Co.
24. Wouk, Herman. 1971. The Winds of War: A Novel. 1st ed. Boston: Little Brown.
25. Wouk, Herman. 1978. War and Remembrance: A Novel. 1st ed. Boston: Little Brown.
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I can reccomend The Unwomanly Face of War: https://www.penguinrandomhouse.com/books/540744/the-unwomanly-face-of-war-by-svetlana-alexievich/. The experiences of Soviet women medics, pilots, guerillas in WW2.
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When I am not reading course-related readings, I am working my way through Weltschmerz: Pessimism in German Philosophy, 1860-1900 by Frederick C. Beiser (Oxford University Press). I for one am really interested in pessimist philosophy, but many of the major players in the movement are inaccessible to those who cannot read German. This book (so far!) is an excellent survey of Schopenhauer’s philosophy and the waves he made in Germany. The book discusses his critics, followers, and those who made major changes to his philosophy.
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A very interesting list of books so far. Since my late 20s, I have been afflicted with a disease of not being able to suspend my disbelief long enough to read fiction. As a child I used to love getting lost in fantasy worlds, spending whole days reading novels. Now I can’t seem to do it. It started with not being able to read novels. More recently I’ve had a harder time watching movies. (But maybe that’s just because, as James has showed, Hollywood movies are increasingly derivative franchises. But I digress.)
That said, I have been enjoying reading what fiction writers have to say about current affairs. Cory Doctorow (https://pluralistic.net/) is particularly insightful … and unbelievably prolific. Seriously, a blog post a day, multiple articles a month, a book a year. Who is this guy?
I am also enjoying Peter Watts’ blog (https://www.rifters.com/). Like Doctorow, Watts is a sci-fi writer who also writes interesting stuff about science and current affairs.
Fiction writers have a knack for explaining things in such a simple way. If you gave the same idea to an academic, you’d probably get back a garbled, obtuse explanation.
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When I first read Jose Saramago, I started with Blindness and could only make it about 60 pages. Saramago’s style is beautifully poetic, but you have to give his writing your complete attention. If infinite regress is described with “turtles all the way down”, Saramago’s sentences are sub-clauses all the way down. The Double might be my best personal entry to Saramago’s novels. Its philosophical exploration of the self is, at least for me, a page turner (except that a page turner, for Saramago, is me re-reading the same paragraph over and over).
* For those who have read Blindness, I will definitely return to it. I actually think about that novel a lot, even if I never completed it. Something about its premise, I guess …
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A few worthwhile novels about Japan, its culture and power structure, by non-Japanese authors:
1. First on the list is James Clavell’s 1975 Shogun. The story takes place in the early 17th century, but you’ll learn from it more than from any other novel. Also, you won’t be able to put it down.
2. The sensational success of ‘Shogun’ lured tens of thousands of university undergraduates to Japanese studies programs. Academic experts on the subject, envious of Clavell’s success, dissected his work but failed to find meaningful inaccuracies.
3. Peter Tasker, a top financial analyst based in Japan, fast-forwards Clavell to the 21st century. His detective novels, like Samurai Boogie and Buddha Kiss, expose the underbelly of modern-day Japan.
4. Jake Adelstein’s 2009 novel Tokyo Vice is the true story of an American crime reporter who got entangled with the Yakuza. Hold on to your seat.
5. Michael Crichton’s novels are almost always sharp and riveting. His 1992 Rising Sun, written when Japan was still seen as a ‘threat’ to American supremacy, is no exception.
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Just finished Dostoevsky’s Crime and Punishment. It was about crime, and the punishment of crime. It was also about Russia.
Next on my list is Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead. English translations of her work have been appearing in the past few years. The title of the book and many chapters draw from Blake’s “Proverbs of Hell”.
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I just picked up English translation of The End of the Megamachine, which is available on SCRIBD for “free” (if you have a subscription) and for sale by all the usual suspects.
I am also skimming Peter Temin’s The Roman Market Economy (available at the same outlets as above)
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I finally started reading The End of the Megamachine. It begins with an interesting discussion of power, generally, that lends itself to CasP analysis. Specifically, it introduces (at least to me) the idea of “structural violence” (or structural coercive power) as a mechanism for creating/enforcing order. To me, the “market” exists to enforce structural violence in the capitalist mode of power.
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The Comanche Empire: https://yalebooks.yale.edu/book/9780300151176/comanche-empire. Another possible reason why the South West US is not Northern Mexico.
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I’m re-reading Gabriel Garcia Marquez’ Love in the Time of Cholera. I’ve long said it is one of my favourite books of all time, but recently realized that I didn’t actually remember the story that well. It has definitely been worth the re-read. As with most writing from Latin American authors, power and political economy stalk the pages and the characters.
I recently finished NK Jemisin’s amazing Broken Earth trilogy. Like a lot of sci-fi / fantasy it takes some work to get into the language—just as it does with much philosophy—but once you do, it is seriously page-turning.
Blair, I wonder how you’d feel about the short stories of Ted Chiang. They are works of fiction, but you can tell how deeply researched they are. He brilliantly extrapolates from reality to tell a compelling story, while also offering important insights for our actual present and potential futures.
His short story ‘The Story of Your Life’ was the basis of the movie Arrival, which is one of the best things Hollywood has produced in years. And the story and movie are different enough that each has its own merits. The story ‘The Truth of Fact, The Truth of Feeling‘ is a phenomenal exploration of the difference between truth and record-keeping. These too often get conflated. ‘The Great Silence‘ contrasts our obsession with finding evidence of extraterrestrial life with our wilful blindness to the incredibly alien lifeforms that share our planet.
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Blair, I wonder how you’d feel about the short stories of Ted Chiang.
I’m not familiar with his work. I’ll check it out.
On another note, my daughter has recently become obsessed with audiobooks, so I am getting my fiction fill through her (admittedly, not the books I’d read myself). We’re working our way through the Roahl Dahl corpus. It’s funny how insane many of his ideas are.
I’m actually thinking that if I do get back into fiction, it will be through audiobooks. I spend all day reading and writing. It would be nice to put on an audiobook and go for a walk at the end of the day!
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It would be nice to put on an audiobook and go for a walk at the end of the day!
That’s how I first “read” Chiang’s second collection of short stories, Exhalation. It is not quite as good as his first. But it is still extremely excellent.
I also like audiobooks for more narrative history. It was a good way to “read” Tooze’s The Deluge.
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Path DependencyThis is Billy Summers’ last job, and, in a sense it is pre-written. It was ‘in the cards’ — or, as a theorist would say, it was ‘path dependent’.
Billy Summers, the protagonist of Stephen King’s 2021 novel, is a gun for hire. And he was bound to be.
As a boy, he shot his abusive stepfather after the man had beaten Billy’s younger sister to death; he spent his youth in a foster home; then, having nothing better to do, he volunteered to the Marine Corps; the Marines sent him to Iraq, where he became a decorated sniper; and upon his return to the U.S, he established himself as a professional assassin. He killed people for a living – but only after ascertaining they were ‘truly’ bad.
His last job – capitalized at two million dollars — is to take down an inmate on the courthouse steps, just as he enters his hearing. The inmate is definitely a bad guy, so Billy’s conscious is clear. But this is a thriller, so things aren’t what they seem to be. Billy senses he himself is next in line, and from there on the plot starts to thicken.
But the plot and its path dependencies are secondary.
Billy Summers is a book you read mostly for King’s gripping storytelling — his portrayal of backwater America, of the gruesome nature of war, of lust – particularly for power and money – and, most importantly, of the frail human psyche.
Highly recommended.
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Giuseppe Tomasi di Lampedusa’s The Leopard (translated from Italian).
This novel does not so much chronicle the unification of Italy, the Risorgimento, as it does the internal experiences of a noble family seeing their future irrelevancy written on the wall.
I’m reading it anticipation of re-watching Visconti’s film, The Leopard.
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James: I haven’t read the book but I watched Visconti’s The Leopard last winter. I thought the movie was really interesting, and visually stunning!
My favourite fiction book this year has been The Silentiary, by Antonio di Benedetto. It’s a darkly comic story of a man’s existential struggle against the world and its noise. It’s also about writer’s block.
I am looking forward to reading another from di Benedetto’s “Trilogy of Expectations” this fall, Zama.
I also enjoyed reading 2312 by Kim Stanley Robinson this summer. I think it qualifies as ‘hard’ sci-fi, meaning it spends a lot of time making the future ‘make sense’ in the context of our present – technologically as well as politically. It’s a bit more optimistic vision of the distant future than I would necessarily grant in that context, but that is part of what I liked about it – the writing is imbued with belief in and admiration for the creative powers of human society. It’s also a gripping adventure and a highly imaginative and rich exercise in world-building.
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Nice recommendations, Chris. I have a Pavlovian response to the cover for di Benedetto. Novels published by NYRB follow a style template, and I come across them all the time in used book stores like BMV in Toronto. As for Robinson, I have a long list of sci-fi to read, but adding one more won’t hurt.
The Leopard the film is so beautiful and it attempts capture the magnitudes of the noble lifestyles and the revolutionary change. In terms of being a history of Sicily at the time, I think the film is hard to follow. I’m discovering that this might reflect a theme in the book — the future will not include the Prince (played by Burt Lancaster in the film) and it does not entirely matter which party leads the unification of Italy.
James: I haven’t read the book but I watched Visconti’s The Leopard last winter. I thought the movie was really interesting, and visually stunning! My favourite fiction book this year has been The Silentiary, by Antonio di Benedetto. It’s a darkly comic story of a man’s existential struggle against the world and its noise. It’s also about writer’s block. I am looking forward to reading another from di Benedetto’s “Trilogy of Expectations” this fall, Zama.
I also enjoyed reading 2312 by Kim Stanley Robinson this summer. I think it qualifies as ‘hard’ sci-fi, meaning it spends a lot of time making the future ‘make sense’ in the context of our present – technologically as well as politically. It’s a bit more optimistic vision of the distant future than I would necessarily grant in that context, but that is part of what I liked about it – the writing is imbued with belief in and admiration for the creative powers of human society. It’s also a gripping adventure and a highly imaginative and rich exercise in world-building. -
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José Saramago, Cain
Read this because I seem to recall it being recommended in a book list from this forum. Was a while back.
Short read. Maybe am jaded or impatient but I realized early on a writer would not bother to commit to writing a novel as seemingly on the nose as this appeared to be. On the nose in the sense of a not-too original, likely ancient while current, perception and critique of the Hebrew God. On the nose in the sense that why, particularly this late in his apparently storied career (had not heard of him, which means nothing), would a writer take to writing something so on the nose and hardly original.
Still, what he (Saramago) did say at the end – on the Ark – via his homicidal protagonist is worth staying up for. I don’t think it originates with Marxian philosophy but it certainly echoes through the culminations of leftist ideology into the present hour.
Is Cain right? Those who rule the West are certainly on board.
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Blood Meridian, or The Evening Redness in the West by Cormac McCarthy
Once in a while I read a novel that makes me incredibly jealous of the author’s ability to write prose. I’m not sure where my writing abilities actually lie — they are likely lower than I estimate — but I at least know the object of my jealousy is clearly in an entirely other league. McCarthy’s writing in Blood Meridian is unbelievably good and multiple parts cause me to stop and appreciate his style.
McCarthy’s writing amplifies the ferocity of the violence in a story that has an extremely violent premise — a group of outlaws and misfits are paid by state governments to scalp as many Indigenous people as they can. This is a story of hell and the author is describing it in vivid detail … but I am finding it such a fascinating read.
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