Abstract This paper builds an empirical and theoretical model to analyze how the financial goal of risk reduction changed the insides of Hollywood’s star system. For the moviegoer looking at Hollywood cinema from the outside, the function of the star system has remained the same since the 1920s: to have recognizable actors attract large audiences […]
Continue ReadingWhen Hollywood gets repetitive: casting
Originally published at notes on cinema James McMahon Ridley Scott’s Exodus: Gods and Kings is a telling example of Hollywood rationalizing its so-called inability to widen the boundaries of its creativity. In this case, the boundaries concern Hollywood’s tendency to reserve roles for its biggest stars, even when a big star appears unfit for the […]
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